OPEN ENDINGS
OPEN ENDINGS
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visualgraphc:

Sheffield Fashion Week - Jenna Walsh
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my-tumblrisbetterthanyours:

http://timonmattelaer.be/
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handcooked:

Studio Lin — Paul Loebach
handcooked:

Studio Lin — Paul Loebach
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visualgraphc:

Self branding by Quentin Degrange
visualgraphc:

Self branding by Quentin Degrange
visualgraphc:

Self branding by Quentin Degrange
visualgraphc:

Self branding by Quentin Degrange
visualgraphc:

Self branding by Quentin Degrange
visualgraphc:

Self branding by Quentin Degrange
visualgraphc:

Self branding by Quentin Degrange
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slapdashing:

Typeverything.com - Poster by Sarp Sozdinler.
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visualgraphc:

Cinematheque suisse by Kenny Brandenberger
visualgraphc:

Cinematheque suisse by Kenny Brandenberger
visualgraphc:

Cinematheque suisse by Kenny Brandenberger
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lvndcity:

gianluigi rivasi
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rudygodinez:

Urs Fischer, You, (2007)Here, Fischer dug a crater in the gallery, removing its concrete level. The architecture of the gallery is altered by cutting, disruption, and destructive transformations. “You” simultaneously attacks and fetishizes the attributes of galleries, the qualities that the critic Brian O’Doherty has described as “something of the sacredness of churches, the austerity of courtrooms, the mysteriousness of research laboratories, something that, together with stylish designs, makes them unique cultic places of the aesthetic”The violence of Urs Fischer against the architecture destined to the sacral rite of art recalls the lifelong work of our beloved Chris Burden. Reference here 
(via)
rudygodinez:

Urs Fischer, You, (2007)Here, Fischer dug a crater in the gallery, removing its concrete level. The architecture of the gallery is altered by cutting, disruption, and destructive transformations. “You” simultaneously attacks and fetishizes the attributes of galleries, the qualities that the critic Brian O’Doherty has described as “something of the sacredness of churches, the austerity of courtrooms, the mysteriousness of research laboratories, something that, together with stylish designs, makes them unique cultic places of the aesthetic”The violence of Urs Fischer against the architecture destined to the sacral rite of art recalls the lifelong work of our beloved Chris Burden. Reference here 
(via)
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thisiscatalogue:

Brilliant work from Istanbul based Studio Sarp Sozdinler. Soon to open their own type foundry.